{"id":1839,"date":"2026-03-11T11:22:31","date_gmt":"2026-03-11T11:22:31","guid":{"rendered":"https:\/\/museum-media.com\/?page_id=1839"},"modified":"2026-03-24T11:40:58","modified_gmt":"2026-03-24T11:40:58","slug":"nadir","status":"publish","type":"page","link":"https:\/\/museum-media.com\/nl\/nadir\/","title":{"rendered":"Nadir"},"content":{"rendered":"<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-1 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column has-white-color has-text-color is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-white-color has-text-color has-link-color has-noto-sans-font-family has-custom-font wp-elements-5cf34365a16679adb24ecd9ae6384e5d\" style=\"font-family:Noto Sans;font-size:40px\">NADIR<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"coming soon\" src=\"https:\/\/player.vimeo.com\/video\/1172505445?h=7529117ba5&amp;dnt=1&amp;app_id=122963\" width=\"980\" height=\"551\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-white-color has-text-color has-link-color wp-elements-fd55a4a484f60057b33beb1b5adb29a7\" style=\"font-size:22px\">In Nadir, brutalist form becomes the starting point for a continuous journey downward in scale, into hidden layers of fractal structure. The film drifts from architectural weight into a realm of shifting geometries that feels both deeply unfamiliar and curiously nostalgic.<\/p>\n\n\n\n<p class=\"has-white-color has-text-color has-link-color wp-elements-5aa8eab1ef8a379c123038949213c084\" style=\"font-size:22px\">The original soundtrack is by David Levy, who also contributed to the soundtrack of Recombination.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:22px\">Produced &amp; Directed by Julius Horsthuis<\/p>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:22px\">Featuring music by David Levy.<\/p>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:22px\">Release date: March 2026<\/p>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:22px\">Runtime: 10 minutes<\/p>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:22px\">Format:&nbsp;Fulldome 2D, 8K 60 fr\/sec 12 bit color (or lower specs on request)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"2250\" src=\"https:\/\/museum-media.com\/wp-content\/uploads\/2026\/03\/NADIR_Poster.jpeg\" alt=\"\" class=\"wp-image-1840\" srcset=\"https:\/\/museum-media.com\/wp-content\/uploads\/2026\/03\/NADIR_Poster.jpeg 1500w, https:\/\/museum-media.com\/wp-content\/uploads\/2026\/03\/NADIR_Poster-200x300.jpeg 200w, https:\/\/museum-media.com\/wp-content\/uploads\/2026\/03\/NADIR_Poster-683x1024.jpeg 683w, https:\/\/museum-media.com\/wp-content\/uploads\/2026\/03\/NADIR_Poster-768x1152.jpeg 768w, https:\/\/museum-media.com\/wp-content\/uploads\/2026\/03\/NADIR_Poster-1024x1536.jpeg 1024w, https:\/\/museum-media.com\/wp-content\/uploads\/2026\/03\/NADIR_Poster-1365x2048.jpeg 1365w, https:\/\/museum-media.com\/wp-content\/uploads\/2026\/03\/NADIR_Poster-8x12.jpeg 8w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading has-white-color has-text-color\"><strong>About the maker<\/strong><\/h2>\n\n\n\n<p class=\"has-white-color has-text-color\">Julius Horsthuis (Amsterdam, 1980) is a Digital Artist.<\/p>\n\n\n\n<p class=\"has-white-color has-text-color\">After a 15-year career in the Dutch film and entertainment industry, first on-set and later as a Visual Effects artist and supervisor, Julius started experimenting with fractal animation techniques, creating a unique blend between abstract and cinematic animation.<\/p>\n\n\n\n<p class=\"has-white-color has-text-color\">His work quickly gained worldwide recognition, being picked up by blogs and news sites such as The Creators Project, Gizmodo, Newsweek, and the Vimeo Staff Picks. His Fulldome film Fractal Time was recognized by Forbes as one of the 35 best XR experiences of 2019.<\/p>\n\n\n\n<p class=\"has-white-color has-text-color\">Julius created music videos for Max Cooper, Meshuggah, Eric Serra and background visuals for Avicii, Lady Gaga and others.<\/p>\n\n\n\n<p class=\"has-white-color has-text-color\">His fractals have also featured in Guillermo del Toro&#8217;s Cabinet of Curiosities\u2019 third episode: The Autopsy, and Michel van der Aa\u2019s opera Upload.<\/p>\n\n\n\n<p class=\"has-white-color has-text-color\">In 2021 Julius exhibited his work in Manhattan based digital art gallery ARTECHOUSE NYC. Other immersive works have been on display at the NXT Museum in Amsterdam, OASIS Montr\u00e9al, ARTPLAY in Moscow, and others.<\/p>\n\n\n\n<p class=\"has-white-color has-text-color\">Festival exhibitions include the Art Futura Festival, Art Basel Miami, Coachella, IDFA, Noor Riyadh festival, and others.<\/p>\n\n\n\n<p class=\"has-white-color has-text-color\">Julius continues to push the limits of fractal immersive art, both in physical spaces as in digital ones: VR.<\/p>\n\n\n\n<p class=\"has-white-color has-text-color\"><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading has-white-color has-text-color\">Available Formats<\/h2>\n\n\n\n<ul style=\"color:#ffffff\" class=\"wp-block-list\">\n<li>Fulldome 2D Digital 8K , 4K, 2K 60 or 30 fr\/sec<\/li>\n\n\n\n<li>Tilted Dome 2D Digital 8K, 4K, 2K 60 or 30 fr\/sec<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading has-white-color has-text-color\">Language Versions<\/h2>\n\n\n\n<ul style=\"color:#ffffff\" class=\"wp-block-list\">\n<li>Music only<\/li>\n<\/ul>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>NADIR In Nadir, brutalist form becomes the starting point for a continuous journey downward in scale, into hidden layers of fractal structure. The film drifts from architectural weight into a realm of shifting geometries that feels both deeply unfamiliar and curiously nostalgic. The original soundtrack is by David Levy, who also contributed to the soundtrack [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_coblocks_attr":"Noto Sans","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"class_list":["post-1839","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Nadir - Museum Media<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/museum-media.com\/nl\/nadir\/\" \/>\n<meta property=\"og:locale\" content=\"nl_NL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nadir - Museum Media\" \/>\n<meta property=\"og:description\" content=\"NADIR In Nadir, brutalist form becomes the starting point for a continuous journey downward in scale, into hidden layers of fractal structure. 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